The TV Show: A MAGA ‘Trans Woman of Colour’ prepares her loyal Youtube audience for the US presidential election. (Currently in post-production.)

Finding Rachel

A podcast about the making of the documentary film The TV Show.

Greg Elmer discusses the challenges of the production and post production phase of SoJu production’s latest film, The TV Show. So basically this is a podcast about a film about a Youtube channel (“Rachel’s Ghost”).

Podbean link Amazon Apple

A ‘trans woman of colour’ prepares her loyal Youtube audience for the results of the US presidential election. In post-production.

(Greg Elmer director, Wes Legge director of photography, Raelan Dekker, location sound.)

The TV Show

The Politics of Preemption

Greg Elmer, Dir. (2019).

This doc short features a compelling analysis of neoliberal politics, derivatives and other preemptive tools of global finance, and the war on terror from former NYU professor Randy Martin.

The Canadian Delegation

Greg Elmer, Dir. (2018). Documentary Feature. 78 mins.

The head of Canada’s Young Communist League leads a politically diverse group of students to the 1989 World Festival of Youth & Students in Pyongyang, DPRK (North Korea). This film screened at the DMZ documentary film festival, Encounters (South Africa), The Regina Film Festival, the Antigonish Film Festival, and at universities worldwide.

Preempting Dissent

Greg Elmer & Andy Opel, Directors (2014). 50 mins.

The creative commons documentary PREEMPTING DISSENT builds upon the book of the same name written by Greg Elmer and Andy Opel. The film is a culmination of a collaborative process of soliciting, collecting and editing video, still images, and creative commons music files from people around the world. Preempting Dissent interrogates the expansion of the so-called “Miami-Model” of protest policing, a set of strategies developed in the wake of 9/11 to preempt forms of mass protest at major events in the US and worldwide. The film tracks the development of the Miami model after the WTO protests in Seattle 1999, through the post-9/11 years, FTAA & G8/20 summits, and most recently the Occupy Wall St movements. The film exposes the political, social, and economic roots of preemptive forms of protest policing and their manifestations in spatial tactics, the deployment of so-called ‘less-lethal’ weapons, and surveillance regimes. The film notes however that new social movements have themselves begun to adopt preemptive tactics so as not to fall into the trap set for them by police agencies worldwide.